Good electronic music from Luxembourg!

It’s a 4-tracks EP, with minimal atmospheres and a massive techno / trance fingerprint on all the tracks. If you like fat sounds on heavy rhythm-line, you’ll find it your favourite track for sure.

The most ethereal, enchanting and hypnotic — so the one we prefere over all — is the 1024th Floor. It’s an instrumental track that bring you inside a new dimension, through a stellar trip, from one galaxy to another.

Under My Skin and It’s Your Life are the most minimal ones, with good atmospheres, funny singing over an always present electronic arpeggiator.

If you like the fast&furious groove, you’ll like Illusive. An hypno-fast-trance-techno-vocal track with a great bass and rhythm line.

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Hungry Lucy is a duo composed by War-N Harrison & Christa Belle, that produce atmospheric electronic music, with some trip-hop influence.

Pulse of the Earth is a 10-tracks album that remembers in many parts the most electronic album made by Madonna, Ray Of Light. If you like Frozen, you will appreciate also this production.

Pulse of the Earth is also the name of the track we like to start, the second one on the album. It’s almost oniric, with a good singing and atmosphere, on an interesting rhythm phrasing.

In Bumble we like the electronic piano groove and the tranquility over the whole track.

Hill is less atmospheric but more incisive and groovy. We like the synth bassline and the bigbeat used in the refrain.

Wandering ends the album with a faster rhythm and an involving sound, if you wish to dance, this is the track for you.

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Listening this 10-track album, from the first bit, you will certnainly think to Guns & Roses, Pearl Jam and Nirvana‘s songs.

The first tack, Dinner for one, its representative of the style of the Amity in Fame: wery well palyed guitars, good rhythm, smart vocalist, comparable with some Pearl Jam’s pieces!

Excellent rhythm and an accurate sound in Relagate the Judge, fourth track, with pressing guitar’s solo and an interesting vocal duo.

In Fading away, seventh track, appeares a nice tinkling that reminds you indian sound, exotic instruments evokes distant countries and the vocalist is really glamourous: this is the song that you will not expect!

Also very interesting next track, number eight, Letters to God that recall the Evanescence just because of a female vocalist with a crystalline voice.

Cuddle your ears with this gorgeous album, you will never regret… it’s amazing!

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Do you feel good with The Prodigy noise? Do you stomp your feet inside their music flow?

Damn, you’re ready for the vodka groove of Nybraz, from the artic, cold Russian Federation. Yep, they are here with their Vendetta. Get ready. Serious.

They start bad, cool, hard.

Vendetta is the opening track of this 4-breathless-tracks EP, a serious pure energy production. It starts with a kind of alarm and immediatly with a truly fast breakbeat, and then the bass, and then acid sounds everywhere. But, wait, there is also a melodic bridge before the end. Oh, God there is a real melody inside.

Plus 1 mix a Prodigy-90′s-look&feel with the most recent distorted sounds, truly hard and breathless.

UDVN is something like the rock made electrohardbreakbeatrock, a lower rhythm with serious distorted guitar-like sound over all the track. Bring that noise!

Eastern Phantom is the closing track with a very good, fat, nasty groove and nice oriental-like leit-motif.

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Despite of the novice cover design, the album of Ant on Wax — with the featuring of AlieM — called Control is an authentic well done work, with professional feeling.

If you like the drum’n'bass genre, you’ll feel good with this production. Great sounds, flowing rhythm and a good female vocals inside.

The opening track, Going Down, starts with a sample that remember some 70′s TV series that will be mixed soon with a great bass and drumset line.

Nothing Like Tomorrow is an elegant track, with fat mute bass, good singing and minimal liquid sounds.

Control, Help, Invent and Iainteasy are the most faster and heavier tracks of the album.

Day after day and We don’t need no bitches, instead, are different. The first one is a kind of hardhouse track, very fat and cool. The second one, on the contrary, is something like a female rap, with good atmosphere.

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Fresh Body Shop is a veteran on Jamend. He’s not unknown to the peoples who knew Jamendo far ago.

Anyway, this production sounds good even if you already know his sound. It remembers the vocal style of Trent Reznor of Nine Inch Nails, some guitar riff of Red Hot Chili Peppers and sometimes also the atmosphere of the 80s INXS band.

This 7-tracks album is really funny to listen everytime and everywhere: whether you listen it during your job or driving your car. Tracks are not so long, the average is 2:50 minutes, so they are very quick to listen.

The opening track My Artificial Sun is very fast and powerful, with a great guitar-bass riff. We really love it.

The Hunt is the one that remembers the Red Hot Chili Peppers sound, blended with the NIN style. Pretty curious.

We also really like Anything But You with its fresh sound and uptempo groove. It’s interesting also the guitar solo performing, played on a “stretched” way.

Well, it’s really a good album. We can consider it a must have on your pre-party playlist or your trip all around the world.

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It’s the time to review a classical clubbing soundtrack, with a modern electronic spin off. It’s the time for a bit of good trance music, nicely performed by Essence.

All the tracks contain the classic ingredients of trance music: good drumkit, powerful hard bassline, electronic liquid sound and some melody, often played with piano.

We really like the authentic power of Beginnin’ — curiously used at the end of the album  —, an all fat track with fat drums, fat bassline, fat sounds, fat voices. A pure dancefloor bomb.

Slower than Beginnin’, Wamboe is the second fat one we love, with a rolling bassline, early 90′s sounds and nice male voice sampler.

Staying in the 90′s, we can live again the Vanilla Ice’s hit Ice Ice Baby, remaked on a trance sauce, with vocal tuning and the famous sampling of the bassline of Under Pressure by Queen and David Bowie.

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The work of Paniq is very eclectic and original, especially on this 17-tracks album Neurons: Fire At Will.

We really like the ability to change from house to techno, from breakbeat to psy, from rhythm to… acapella! Inside the Paniq’s Neurons you can find dark atmospheres or funny stories, relaxing contemplations and dynamic runnings. All that you need is inside this work.

We like how the same name opening track Neurons: Fire At Will starts the album, with its “rolling” bassline and angelic-spatial atmosphere.

The funniest ones are probably Elektronische Musik, that could remember a modern style of the Kraftwerk, 23 Is The New 42 with a really interesting voice’s samplers playing and good groove, and Thoughtcrime, an electronic hanky-panky swing with a 70′s UFO solo.

If you love the hard house genre, Nice To Be Here is the song that you’ll make you sweat on your preferred dancefloor.

Do you need some psy trance music? Well, let’s go back to the 80′s with a psy version of the Knight Rider theme, recalled Psy Rider, and then line up your brain with the excellent Theta frequency.

Once you got them, try to relax yourself with Progression, a beatiful electronic download progressive track.

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The advantage of the global communication era, or at least the most interesting one of many, is the possibility to find out new trends, new ideas, new talents, both all around the world.

The concrete example is represented by 7F with their same name EP: a great production of brazilian hip-hop, with brazileros speech and lyrics, mixed with nice music ideas.

This extended playing contains 7 west coast style tracks (well, thinking about the last albums released from major artists, it could be also considered a real album and not just an EP), pretty mixed and performed.

Sétima Frequência (Intro) and Vendetta are pretty for the use of banjo — or most probably a japanese shamisen — on the first one, and the mix of fat pads and old style drumkit.

The most representatives of the brazilian soul are Epidemia and Invente Um Deus. Both played with acoustic guitar on a electronic drumkit, Epidemia has a good latin groove with some fusion style and Invente Um Deus is pretty played on a slow bossanova sound. We feel it simply amazing.

Projeto Destruição has the same energy of Come With Me by Puff Daddy from the Godzilla movie.

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This EP is a 6-tracks work with various influences and styles inside: you can listen from rock to blues, from soul to funk, all pretty performed by 11 musicians.

The quality of this production is professional, both in performing, mixing and recording.

The opening track Cerca De Mi and Ahogando El Blues express very well a modern blues, easy to listen. If you wish to stomp your feet on a funky rhythm, then pump up the volume and play Tiene Que Cambiar and, above all, Voy A Estar Ahi.

We could consider Dame Fuerza a good folk-pop-rock — a little beat downtempo with a pretty singing —and Creo the most summer song of the album.

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