Fresh Body Shop is an already knew artist here on Jamazine, already reviewed with his The Ugly Army about one year ago.

Today is here again, with a great acoustic album: Director’s Cut. It contains a touch of Trent Reznor singing and NIN atmospheres, blended with great indie rock groove.

We like to start with Twins, a nice country-styled with a great refrain on a acoustic-guitar-no-rhythm groove. We really appreciate it.

Next Home has slower rhythm, good arrangements and it’s really tasting, especially on intense moments. A perfect acoustic rock pearl.

And now, let’s increase the speed with Voodoo Doll, Translucid and the title track Director’s Cut. Three good and faster tracks to let you dance!

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Good electronic music from Luxembourg!

It’s a 4-tracks EP, with minimal atmospheres and a massive techno / trance fingerprint on all the tracks. If you like fat sounds on heavy rhythm-line, you’ll find it your favourite track for sure.

The most ethereal, enchanting and hypnotic — so the one we prefere over all — is the 1024th Floor. It’s an instrumental track that bring you inside a new dimension, through a stellar trip, from one galaxy to another.

Under My Skin and It’s Your Life are the most minimal ones, with good atmospheres, funny singing over an always present electronic arpeggiator.

If you like the fast&furious groove, you’ll like Illusive. An hypno-fast-trance-techno-vocal track with a great bass and rhythm line.

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Hungry Lucy is a duo composed by War-N Harrison & Christa Belle, that produce atmospheric electronic music, with some trip-hop influence.

Pulse of the Earth is a 10-tracks album that remembers in many parts the most electronic album made by Madonna, Ray Of Light. If you like Frozen, you will appreciate also this production.

Pulse of the Earth is also the name of the track we like to start, the second one on the album. It’s almost oniric, with a good singing and atmosphere, on an interesting rhythm phrasing.

In Bumble we like the electronic piano groove and the tranquility over the whole track.

Hill is less atmospheric but more incisive and groovy. We like the synth bassline and the bigbeat used in the refrain.

Wandering ends the album with a faster rhythm and an involving sound, if you wish to dance, this is the track for you.

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The album of miss Kellee Maize is an absolute and pleasant discovery! An eclectic example of various genres blend, all supported by electronic music.

Put it on a enthusiastic mood, and you get the Aligned Archetype. Simply excellent.

Start with the “smooving dancefloor” Future Remix: fast rhythm, hypnotic sound, hip-hop rhymes. You can’t stay stopped.

Then relax yourself with Signs, a great indian percussive track. We so loved it that we used for our second Downtempo Selection. If you like it, listen to Pulse, too. A well done indian hip-hop.

If you like dancehall music, you will love Godette. A smooving dubstep / dancehall track with a great bassline.

Do you still have energy available? Well play loud Friday Night Flu Remix: a great back in fabulous ’70s!

We also loved Third Eye, a sort of album hymn.

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From the MySpace official account:

“The Foundation (formality Krackhouse Records) is comprised off 2 lyricists and one producer.  A relatively new crew we are about to make our mark not only on Fargo but on the midwest as a hole. Be on the lookout there will only be hot tracks and mean lyrics to come. We are workin on the album and drop the full length mixtape.”

The mixtape, for the ones who don’t know yet what it means, is a collection of tracks used for promo and often before the real launch of the official album, or as wrote in Wikipedia “as a way of generating hype” (especially in the hip-hop world).

So, this mixtape contains 16 tracks of cool hip-hop, with a Eminem / Dr. Dre / 50 Cents style.

We like all the mixtape, but we also love obviously some tracks of it.

It’s the case of the opening track The Foundation, with its orchestral samples. My 45 is a pretty clone of 50 & Eminem productions, with their typical arrangements and groove.

We really love Baby Girl, City Limits, Without You, Another Day and Rodeo. They are the most elegant and sophisticated of the whole album, with a magic sense on Another Day.

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This EP by Donderevo is a little gift for the Xmas holidays, with nice idea to put inside not just one genre, but various songs to listen. Even if the main groove is rock.

Christmas Christmas is the opening most rock track, with a funny timbal drum to remember that it’s a Xmas song.

Christmas for One is one of the two ballads included in this EP, it’s completely performed with electric piano, voice, some bell and tambourine. Very nice.

We Will Lie Beneath is the other speediest track of the album, a little bit indie and brit rock grooved.

Holy Christmas is a rock-blues old style song. We really like, maybe is the best track of the whole EP.

And, closing this work, you find Xmas, an electronically-magically experiment. Really magic and funny.

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We already reviewed this collective, when they released the Volume 3, Lilith and Selena, a 27-tracks double album of absolutely good quality chillout music.

Now, with the new release, they added 1 more track, with excellent sounds.

So relax yourself and get ready…

A good friends of your relaxing time is the ones made by EXIT Project Shanti Place, called Granular Garden and Intro Scene. It’s an electronic and ethereal pleasure. More liquid, with a good electric Rhodes piano, is Don’t Be Sad by ArLeAn Project. An authentic Buddha Bar style track.

For your yoga sessions we suggest you Flight of Butterfly by TRANCESIB, In Subway.Morning 11 by Eugene Kush and The Feeling of Fly by Chistilin Aleksey.

For your stretching session after a hard fitness training, we have this winding-down tracks: Solitude of the Time by Ocean Shiver, The Sliping Countness and Till You Make a Breathe by The Kirbi, and Eyes Like a Lotus Flower by santah.

Last but not least, try to listen to Never Too Late by J-Sun, a funny experiment to bring the 70′s into the new millennium. Then pass to Desert by AI K: a fast and ipnotic trip over an electronic desert, blended to a jazzy bridge. Don’t miss it!

Well, it’s time to let you find out the rest of this work…

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A marvellous example of greate singers and greate musicians mixed in a explosive album.

CraZyH et Djézinho are artists famous because of their vocal improvvisations during live performances.

The athmospher of this album is a concept of a trip inside of the night time world.

Naferone, first song, it’s really a little jewel: vocally pressing and greate rhythm!

In Shak’um, second track, you will find morrocco sonorities mixed with electronic music, tribal percussions and raggae voice.

Sweet, romantic and very well played and sang Wouan dè, track number five.

We really like Ka’lyn Loj, track eight, because of it’s sound absolutely groovy and an incredible vocal part: crazy!

An album that you must discover!

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Really remarkable job for a band, composed by two italian musicians, that is active from the distant 1990.

Smart mix of many different kind of sounds, this album gives you the sensation of a long trip all around a world made of different rhythms, exotic musical instruments and magnetic voices.

A sophisticated ensemble of experience, creativity and a elegant making up!

For example, listening Riding the dune, second track, from the first second of the song you will find Moroccan sonorities mixed with a piano and a groovy rhythm.

Exquisitely electronic, My home in the sky, the fourth track, is too relaxing.

Nice groove in Ulica, track number five, where the arabic atmosphere is mixed with electronic and funky sounds .

A bonzo voice start track number six, Grape of grace, that includes the traditional far-east gong and that seems a buddhist sutra with an electronic subsound.

Deva dasis, track eight, certainly can reminds you indians instrumets mixed with very well played drums.

So let you ears be involved in this glamouros album.

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Testing Toys is a 6-tracks album, with a massive electronic sound, characteristic female singing and many influences from other musical genres, like tango.

The mainstyle of this album is a dejà-vu for your ears if you are already a fan of artists like Björk, Lamb, Hooverphonic and others from the same genre. But, this not means that this work of Fabryka is banal and uninteresting.

The opening track Legoland is a downtempo fat and atmospheric ouverture. Great bassline, great ambience and characteristic singing.

Speeding up the rhythm, A Cure has a drum’n'bass-like drumset baseline and a fat muted bassline. We like also the second choral distorted voice in the background.

We like the third track Handful of Dust, that include a tango insert merged with a fat and massive groove, with an appreciating singing.

Well done guys!

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